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The Year in DVDs: It was an interesting year for DVDs: special "Cuts" became standard fare, deluxe editions gained silly names, and the battle for the next generation heated up. All the hype and hoopla made it harder than ever to distinguish genuine gems from gilded garbage, but a handful of discs still managed to shine. The list of best DVDs below are presented in alphabetical order (I have not included those DVDs I previously discussed here, though they are certainly among the best of the year). Links in the title link to the Cinescene review of that title where available. Battlestar Galactica S1 When the Sci-Fi channel decided to revisit the short-lived late 70's TV series, few if any actually believed the endeavor would be worthwhile. Fans hated the thought of any tampering with the original's formula while non- Ben-Hur (4-Disc Collector's Edition) MGM has certainly put a lot of effort into the set, including fixing the cropping issues that plagued the original release. There's a wealth of supplemental materials available here, and one of the best has to be the inclusion of the 1925 feature-length silent film that preceded the 1960 Oscar juggernaut.
With a solid commentary track, a music-only track, and enough documentaries & featurettes to keep you busy longer than watching the film itself, this is a solid buy for any fan. Unfortunately, the silent film isn't available separately, and Warner Bros. hasn't announced any plans to make it available apart from this lavish set, but given that the 4-disc set can be found for less than $30 pretty easily, it's a mild nuisance rather than a deal-breaker. The Devil's Rejects (2-disc Unrated) Many were disappointed with House of 1000 Corpses, the first cinematic foray from former White Zombie frontman and self-proclaimed horror Frank Miller's Sin City (Recut, Extended, Unrated) I wasn't a huge fan of the film, but no one can deny the phenomenal look and style of Robert Rodriguez' adaptation of Frank Miller's series of Pixar continued its line of solid computer-animated features with this look at the secret lives of superheros. With equal parts comic book adventure, Bond-like thriller, and family comedy, The Incredibles manages to be both Lost S1 It's hard to imagine someone not having heard of ABC's suprise cult phenom and its somewhat serpentine narrative invoking everything from Dante to numerology. A non-traditional series in many respects, Lost has Star Wars Episode III: The Revenge of the Sith Anyone who knows of my longstanding hatred for the franchise will no doubt be wondering just why the hell I would put this on my list of the best DVDs of the year. Well, as with Sin City (which I didn't hate, but didn't Trapped in limbo since it was originally announced early in 2000, Criterion's transfer of Powell/Pressburger's colorful opera deserves points Ugetsu I had read about Ugetsu monogatari for years before I finally had the chance to see it. When the opportunity finally presented itself, I am happy to say that even years of expectation did nothing to diminish the impact of Unseen Cinema: Early American Avant-Garde Film 1894-1941 Ok...nearly every other disc on this list is here because of a combination of superb presentation and quality filmmaking. This one is here simply because Some of the Worst The DVDs listed below aren't inherently bad in and of themselves, but they each reflect certain lamentable trends in the industry that range from mildly irritating to deeply troubling. Scarface: The decision to make Paul Muni's 1932 film available only as part of an exorbitantly priced deluxe set with the 1982 film (the exact same DVD of which retails separately for under $15) is an insult, especially given the growing trend of including relevant features on otherwise moderately priced sets (see "Battlestar Galactica," Ben-Hur, and The Tales of Hoffmann above for examples). 13 Going On 30--The Fun & Flirty Edition etc.: I have nothing against this particular DVD, but it is indicative of a recent trend that irks me, that of giving stupid subtitles to re-releases (see also Tommy Boy--The Holy Schnike Edition and Ferris Bueller's Day Off--The Bueller...Bueller... Edition for other examples). The list of idiotic names for DVD re-releases seems to get longer every week. Hopefully this trend will die as quickly as it was born. Gone in 60 Seconds--Unrated Director's Cut etc.: I'm all for bonus footage as a supplement, or even multiple versions made available through seamless branching (a la T2 or Aliens), but does every DVD have to be an "unrated special edition?" While some films are substantively different (check The Devil's Rejects), many of these "unrated special editions" amount to little more than a marketing ploy, featuring extra footage that not only deserved to be cut in the first place, but which would ultimately have had no affect on the film's final rating to begin with. Adding six seconds of banal dialogue to a scene is hardly deserving of the attention generated by selling it as a sensational new version. The Warriors--Director's Cut: I'm glad to have the new anamorphic transfer, but Hill's decision to follow in Lucas' footsteps and re-edit the film while allowing the original theatrical release to disappear is a bad idea at best. Unfortunately, this seems to be happening more and more, and I can see a day when certain theatrical releases literally cease to exist the moment they leave theaters. Edward Scissorhands--Anniversary Collector's Tin: Presumably re-released to capitalize on the theatrical releases of Tim Burton's Charlie & The Chocolate Factory and The Corpse Bride, this set represented one of the longest running and worst trends in DVD history, that of gratuitous re-releases. Like MGM's repackaging of John Carpenter's The Fog, the new Scissorhands DVD contained no new features, no remastered print, no remixed audio. In fact, by all accounts, it appeared to be the exact same disc as previously released with a shiny new package, a move that inevitably confuses consumers and ultimately hurts the industry. A Look Ahead The new year is already two months behind us, but it promises to be one of the most exciting years in home theater in some time. Already, souped up re-releases of some classic back catalog titles have hit shelves with new transfers, remixed sound, and extensive supplements (Network, Midnight Cowboy, All The President's Men, and Dog Day Afternoon are just a few of the ones that have already come out, and release dates for a dozen others have been confirmed by various studios); studios continue to dig deeper into their back catalog to release amazing box sets of otherwise unavailable material (the recent Harold Lloyd set is a wonderful example); and supplemental material has crossed over from being optional filler to a substantive component of any major release. As if that weren't enough, the next-gen format war will soon begin in earnest, bringing with it bittersweet promises of jaw-dropping picture and sound along with the realization that many of us will begin (yet again) rebuilding our collections. Even as we celebrate home theater formats accomplishments from the past year, we're already looking forward to the great strides that await us in the year to come. ©2006 Ed Owens |