
Hollywood's girls-next-door, my ass. I may have grown up on a
farm where no one lived next door but I'll tell you this, I don't know
of anyone, except the people that actually did live next door to Julia
and Sandra, who lived next door to anyone like these two.
I'm a fan.Well, I'm a fans, or however you would say it. I like them.
I like them for more than the obvious reasons. I'll enumerate.
1) They make brave movie choices. The movies they make aren't a whole
lot like the movies that made them. It took Sylvester Stallone two decades
of mindless action movies to break out and do something challenging
like Copland. Sure, Bullock made Speed II, but only
so the studio would make Hope Floats. I admire the courage it
takes to branch out in Hollywood. And Runaway Bride, which
was billed as the next Pretty Woman - heck, it even starred
half the cast of Roberts' breakthrough film, was no Pretty Woman
- it was deeper and had more meaning. It was about a woman finding herself.
Not finding herself through love, but falling in love in the middle
of finding herself. There is a big difference.
2)
The characters they play. Everyone can love Vivian, the oh-so-very-actually-quite-unbelievably-pretty
hooker-with-the-heart-of-gold from Pretty Woman. She was, of
course, oh-so-very pretty and she was funny and she was written to be
a little bit of what everyone loves - every girl's best friend, every
guy's fantasy girl. But how do you love Jules from My Best Friend's
Wedding? She's a bitch, she's selfish, she's thoughtless and
she's mean. And after she's mean and selfish and thoughtless and
a bitch, how do you forgive her? Because she's played by Julia Roberts
and you just do. Sharon Stone couldn't pull that off, neither could
Minnie Driver...they would just be too annoying and, well, believably
mean.
And Gwen from 28 Days, she's a drug addict and an alcoholic
and she ruined her sister's wedding cake. Later in the film, you
find out she did more than ruin her sister's cake, she said some things
during a toast that were unforgivable. How do you forgive her? You
just do. She's Sandra Bullock. Glenn Close couldn't pull that
off, neither could Julianne Moore...they're too brittle and, frankly,
they can be a little frightening, and you might want them to get a bit
lost in that rehab place in the wilderness and never come back.
3. They make me believe. They make me believe you can be beautiful
and flawed and unapologetic for both. Roberts especially makes
me believe. She became a big star very quickly, the biggest female
star possibly in history. She fell in love with (and even became
engaged to) most of her male co-stars (how very cliché - although one
of them was Dylan McDermott, which is understandable)...she even practically
left one at the alter. She's made movie flops but didn't snap back
to the formula. She continued to choose interestingly and, history has
shown, wisely. She did it and it's done and on to the next thing. She's
in love and happy and making movies that she wants to make and I don't
know if she's even worried about what anyone thinks of it. She's made
it and her place in film history is assured.
4.
They aren't afraid to be unglamorous. Bullock's Hope Floats'
self-involved, jilted, bedraggled, ex-homecoming queen Birdee wasn't
the most glamorous sort - and then there is puking, drug-addled Gwen
from 28 Days. Who picks these parts? Not House-of-Chloe-wearing-yoga-instructor
Madonna...and not hair-extensions-to-be-or-not-to-be Paltrow.
I go to their movies and I enjoy myself. I see myself in the characters
they play, which makes the characters all the more real. I look forward
to wondering what they are going to do next. What is Roberts' singing
voice like (Everyone Says I Love You) or, for that matter, Bullock's
(The Prince of Egypt)? Who's going to steal the show -
Sarandon or Roberts in Stepmom, Kidman or Bullock in Practical
Magic (and what a relief that none of them did - generosity in acting,
unheard of!)? Will Bullock help to make Ben Affleck seem any more
attractive in Forces of Nature (yes)? Will Roberts make
Mel Gibson seem any less pompous in Conspiracy Theory (no)?
I look forward to their movies - they are women's films (rather than
being relegated to chick flicks) that show us (women) as being the complex,
likeably unlikable, unlikeably likable, glamorously ugly, unbearably
glamorous, unbelievably stupid, remarkably bright beings we actually
are.
I appreciate that.
CineScene, 2000