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MENTAL
HYGIENE
by Greg Sorenson
I went to three programs of Mental Hygiene movies over
two days. They were hosted by Ken Smith, author of the book Mental
Hygiene: Classroom Films, 1945-1970. Some of these made it onto MST3K
tapes, others are available on DVD through Fantoma, and nearly all of
them are at the Prelinger
Archives.
Shy Guy (1947)
Progressive
in its day, this one put Glenview, Illinois' Coronet Films on the map.
Dick York, looking somewhat like a lanky, nerdy David Boreanaz, is Phil,
a new transfer student trying to fit in. After dad gives him some vague
advice, Phil uses his interest in building radios as a conversation starter.
Mike Wallace narrates. York is good, and the goofy dad, always in a three-piece
suit, even when he brings Cokes to the kids in the basement, is a hoot.
Beginning to Date (1953)
Encyclopaedia
Britannica, also based in Chicago's northern burbs, had its name to trade
on, but turned in this funny mess. George, a tiny fellow, wants to take
Mildred, who is at least a head-and-a-half taller, to the Winter Frolic.
While discussing his cold feet with his chums, the diving coach overhears
and urges George to"take the plunge." So they go to the Winter
Frolic, where the children dance to music performed on piano and a lone
snare drum -- sort of a proto-White Stripes. The best part is when George
and Mildred are walking to the dance, in a medium two-shot. George considers
conversation topics, which magically fill the ample space above his wee
head -- topics such as Mildred's New Dog and Comic Book. Priceless! Oh,
and the diving coach? A young Studs Turkel.
Cheating (1952)
Once
given the MST3K treatment. John sits alone in a dark hallway, a nearby
clock ticking ominously. He is sitting near a phone, waiting for a call
that will decide his fate on the Student Council. through flashbacks we
learn that he's been caught cheating on his algebra test. The film is
intended to elicit classroom discussion, and so ends with a big question
mark. Cheating attempts to throw some creative filmmaking into
the works -- noirish, expressionistic shadows, that damn clock. From Centron
studios in Kansas. Director Herk Harvey, of Carnival of Souls fame,
worked at Centron for years, doing about 400 films.
Cindy Goes to a Party
(1955)
Another
Centron production, this one less arty and more whacked-out. Tomboyish
Cindy is hurt when she hears about a party she's not invited to. But then
her fairy godmother appears and gets Cindy all gussied up and into the
shindig. There the F.G. dispenses party etiquette tips, which appear in
large letters with a wave of her wand. Cindy has a grand time, but it
turns out to be a dream! Cindy awakes to find that she does have a party
invite after all -- the hostesses older sister (the fairy godmother!)
was late in delivering it. All is well.
Live and Learn (1951)
Low-budget wizard Sid Davis was a one-time stand-in for
John Wayne. His social guidance and safety films were relentless affairs,
full of dire consequences for boys and girls who have it coming. Live
and Learn may as well be Chutes and Ladders: The Movie. It's
a series of vignettes of Kids Who Should Know Better suffering Horrible
Consequences. A young girl (played by Sid's daughter) uses scissors inappropirately
and is impaled on them. Kids start fires with gasoline, get their eyes
shot out with BB guns, and so on. Definitely an audience favorite.
Molly Grows Up (1953)
Okay, you boys, get to go to the gym and play dodgeball.
Now girls, this representative
from Modess (TM) has a film to show you, and she can answer any questions
you may have. Important thing to note here is that one should only do
moderate square dancing while having one's period. Got that? Moderate
sqare dancing. The appearance of the napkin belt inspired knowing laughter
or bewilderment, depending on the age pockets in the audience.
Make Mine Freedom (1948)
This
slick color cartoon, funded by the pro-business Alfred P. Sloan Foundation,
features people representing Labor, Management, Farmers, and Politicians
quarreling until they meet Dr. Utopia, a snake oil salesman who offers
them everything they're looking for in a bottle of "ISM." Fortunately,
John Q. Public comes along and warns the would-be dupes to read the fine
print. Capitalism wins.
©2004 Greg Sorenson
CineScene
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