New neighbors move into the house next door, and their bizarre but affecting
son Ricky (Wes Bentley) manages to provide the impetus for rampant change
in the Burnham household.
But, alas, Ricky has his own set of problems with a Dad, who is such
a control freak that he is scary just to look at, but even scarier when
the viewer wonders what he's going to do next, and a Mom that has totally
checked out.
As depicted, these characters (outside of Jane and Ricky) are selfish
and shallow and wallowing in a despair created only when someone lets
their life run away from them and doesn't have the courage to say, "Well,
hey, this isn't what I wanted for myself. Time for a cool change." The
results in the film are traumatic and tragic and melodramatic. Usually,
as I adore a good cry, this would be a delicious combination. Unfortunately,
in American Beauty, it isn't.
In
The Ice Storm, the kids were just as cracked as the parents. In
American Beauty, Jane and Ricky seem to have their heads on straight
while the adults meander about helplessly enslaved to their own neuroses
and mid-life crises. Nevertheless, Ricky and Jane, no matter how they
want to keep the idiocy of their parents away from them, cannot - because,
unfortunately, they are just kids.
This film, according to the big cardboard stand outside the theater,
is supposed to be a social commentary. I believe the cardboard stand even
said, "In the wake of the Columbine tragedy..." and I'm positive it noted
that after Bening saw the film she was "...overcome by tears."
The point of this film is that today's parents are selfish and shallow
and neurotic and materialistic and kids are affected by it. Parents are
angry because they didn't follow their dreams. Parents have too much responsibility
to the Mercedes mini-vans and $4,000 Italian silk couches. Mid-life crisis
sucks. Parents don't want to be this way. They actually love their kids
but don't really know what to do with them.
All I can say to that is, duh.
These cripplingly sad films about the problem don't really do it for
me. Walking out nodding my head and being moved by the art of life isn't
entertainment and it certainly isn't enlightening.
What do I suggest as an alternative? I have none. The good thing about
American Beauty is that Spacey has some humorous lines and that
Wes Bentley is a remarkably intense actor. The comic relief heightens
the movie-going experience of American Beauty above the mind-numbing
boredom of The Ice Storm, if only slightly.
I do believe the medium of film should be used in part to be a sign
of the times ... not only to show the good, but also to show the bad.
I do believe that in certain instances it should be less melodrama and
more real life. I believe that it is a challenge for a writer, director
and actor to be able to depict "real life" in a film. For me, American
Beauty didn't succeed. The characters had few redeeming values, the
point of the plot was too obvious and the film as a whole was trying to
be too arty.
But worse than all that is that it was done before, in The Ice Storm.
They say there is no originality and, if I hadn't seen Run Lola Run,
I would begin to believe it.