TAPE
by
Melissa B. Cummings
Director Richard Linklater received much critical acclaim
for his film Waking Life in 2001, but he directed another, even
smaller movie last year also worthy of praise. Tape is
an intriguing, if somewhat contrived, story about jealousy, guilt and
denial, that demonstrates how people can manipulate the truth about
the past in order to face the future.
Based
on a play by Stephen Belber, Tape not only stars Ethan Hawke,
Robert Sean Leonard and Uma Thurman, it stars only Ethan Hawke,
Robert Sean Leonard and Uma Thurman. There are just three characters
in the film, and all the action takes place in a single hotel room.
Like American Buffalo or The
Big Kahuna, this type of three-person-play-into-film
is always tricky to make work, as the director must rely so heavily
on the actors and the dialogue to create a convincing picture.
Tape
starts out with a bit of a stagy, stilted feel, but eventually the actors
become the characters and everything flows smoothly. Hawke and Leonard
play Vince and John, two best friends from high school who meet up in
Lansing, Michigan to attend a film festival where John's first project
is going to be shown. In the ten years since graduation, John has finished
college and graduate school and is on the brink of becoming a full-fledged
filmmaker. Vince, on the other hand, is a career volunteer firefighter
who pays his rent by selling drugs to the Oakland fire chief. Upon seeing
how little his friend has made of himself, John is critical of Vince's
attitude, lifestyle and lack of maturity. But as the two reminisce about
events which occurred during the last days of high school, the tables
turn, and John becomes the one on the defensive.
The
incident in question involves John and Vince's ex-girlfriend Amy (Thurman).
Vince is certain that John not only hurt Vince by getting together with
Amy, but that he hurt Amy as well, in a much more real and painful way.
Although John denies it at first, as Vince presses him, he eventually
concedes that his actions were wrong. He even admits that he owes Amy
an apology, to say the least. However, when Vince surprises John by
announcing that Amy is on her way to the hotel and that he plans to
present her with evidence of John's confession, John no longer wants
to admit any culpability. The confrontation between Amy, John and Vince
plays out in a fascinating way. The men discover that they both have
denied aspects of the past in order to placate themselves, and when
Amy shows up, their true colors begin to show.
The
performances in Tape are quite good, especially Uma Thurman's.
Her character is at first awkward and uncomfortable in her situation,
but as she becomes aware of what is actually going on, she shows that
she can be just as angry and manipulative as the men. Ethan Hawke and
Robert Sean Leonard are also convincing in their roles. Although the
plot has an air of contrivance to it, the film doesn't force its message
on the audience. Tape is a thought-provoking movie that makes
you ponder what you may be denying in your own life and how you would
react if you were confronted with the truth.
©2002 Melissa B. Cummings
CineScene