They're back

by Mark Sells
It’s been well over 10 years since John Connor last saved
the world from judgment day. Now, a little older and a little wiser,
John finds himself in a very familiar predicament -- having to save
the world again from those confounded machines.
Directed by Jonathan Mostow, Terminator 3: Rise
of the Machines marks the return of Arnold Schwarzenegger in
his famed role as the T-800, while also marking the absence of the franchise's
originator, James Cameron. It introduces a sophisticated new villain
in the form of a Terminatress, elaborates on the base storyline in a
simplistic, yet darker fashion, and does not miss a beat when it comes
to action.
Connor
(Nick Stahl) is 22 years old when the story picks up. Paranoid after
his previous encounter with the machines, and following the death of
his mother, John lives as a nomad, without credit cards, cell phones,
or any type of real job. His reasoning? Without a trace, he can avoid
Skynet, the artificial intelligence network of machines that tracks
his existence. While keeping a low profile, John also dabbles in hallucinogens,
specifically the kind you find in a veterinary hospital. It is in one
of these local clinics that we first meet Kate Brewster (Claire Danes),
a veterinarian.
Meanwhile,
on the other side of town, a new terminator arrives – the T-X (Kristanna
Loken), a female terminator and an upgrade from the T-2000. In addition
to manipulating liquid metal, she possesses the ability to control other
machines remotely, almost telepathically. Shortly after her arrival,
another Terminator arrives – an older model, the T-800 (Schwarzenegger).
Both find their way to the veterinary hospital and after a brief melee,
John, Kate, and the T-800 narrowly escape. Bewildered and defensive,
Kate is informed by the Terminator why she is being sought. Most importantly,
the two are informed that John’s previous encounter with the T-2000
10 years ago only delayed the inevitable.
Terminator
3 caught me totally by surprise. A big fan of the previous endeavors,
I was a little skeptical after witnessing the cliché-driven trailers.
It looked like it was going to be a rehash of the previous outings,
or another Alien 3 - filled with anecdotes, bad dialogue, and
a story with more holes than Swiss cheese. But something unexpected
happened upon the arrival of Arnold as Terminator. I found myself enamored
with the characters, the story, and the action. Kudos to the screenwriting
team of John D. Brancato, Michael Ferris, and Tedi Sarafian for piecing
together a storyline that logically fills the gap between films, does
not bog down in the time paradox, and keeps things moving at a frenetic
pace. It took guts to make this film without James Cameron. And it took
even more guts to make this entry darker than its predecessors.
Darker,
you ask? Well, John Connor has taken up hallucinogens, Sarah Connor
has died of leukemia, Kate Brewster’s fiancé is chain sawed, and there's
more. Yet all of this is unpredictably bittersweet. Perhaps I had such
low expectations for this film that I was relieved when the story flowed,
the characters had histories and futures that made sense, and the special
effects were sizzling. The only drawback I found was that it had a tendency
to borrow from previous material. The Terminator walks into a bar naked,
steals some black leather and sunglasses, and finds a motorcycle. The
T-X arrives minutes earlier and does some of the same. “Nice gun” (as
opposed to “Nice bike” in T2) she says to a traffic cop before terminating
him. There are the usual car chases, explosions, gun battles, etc. But
I didn’t mind. These were some of the things that attracted me to the
first films. Even better, the clichés are minimal, as Arnold’s Terminator
is a different machine all together with no recollection of any relationship
with John Connor.
My one cavil is that Loken, though not bad, lacks the
mystery and evilness that Robert Patrick brought to the T2. Her character’s
qualities seemed less of an improvement and more of the same – the liquid
metal, arms turning into weapons, bullets being absorbed, etc.
Terminator
3 is not better than the previous films in the series, but it does
hold its own. With dazzling special effects, a simple story, and a return
to form by Arnold Schwarzenegger, the film is easily the most interesting
and entertaining action flick of the summer. Furthermore, I applaud
the filmmakers for taking the risk of creating something dark and adventurous.
It puts a unique spin on a great science fiction franchise. And lastly,
the key to any successful franchise is to leave the door wide open at
the end for another installment. I can only hope that the success of
this film will keep Arnold away from public office, all the while telling
his legions of fans: “I’ll be back.”
©2003 Mark Sells
CineScene